Audrey Nuna is a New Jersey-born artist whose music blends rap, pop, alternative, and R&B. Her career took an unexpected turn with the success of the animated film KPop Demon Hunters, where she provided the singing voice for Mira, the rebellious main dancer of HUNTR/X. This breakthrough moment led to a whirlwind of late-night TV debuts, high-profile interviews, and a near-constant stream of performances. Now, Nuna is recalibrating her approach, merging her new fans with her existing supporters, and re-aligning her understanding of pop music.
Nuna's last pre-KPop Demon Hunters project, Trench, was quite different from the punchy, sugary pop of the film's soundtrack. Her debut album, released in 2024, featured a dissonant soundscape that oscillated between lightness and darkness. Now, signed to Republic Records, Nuna is launching her new era with "SuperHuman," a high-octane, dance-infused rap banger that brings back the gritty, rap-forward energy of her earlier work.
In this article, we delve into Nuna's post-KPop Demon Hunters journey, exploring how her creative process has shifted and how she's finding her true sound. We also examine her collaboration with Cirkut on "SuperHuman" and her decision to partner with Valorant, a video game developer. Additionally, we discuss her approach to rest and the importance of re-introducing herself to her own artistic vision.
One of the most fascinating aspects of Nuna's story is her willingness to embrace failure and struggle in her art. As she says, "The biggest thing KPop Demon Hunters taught me is that it’s okay to fail and struggle through making your art. As an artist, I’ve always tried to get things to feel good to me, but KPop Demon Hunters taught me structure and that, sometimes [when creating], there is a right answer, and we need to get to it."
This mindset shift has had a profound impact on her creative process, pushing her to graduate from artistry that's all about her feelings to artistry that actually moves people. She's tried different producers, some sessions were horrible, and others were amazing, but she's learned to embrace the discomfort and focus on creating music that connects with people.
Nuna's new project is a reintroduction of herself to the world, but more importantly, it's a reintroduction of herself to herself. She wants to evolve from a cool, aesthetic artist to somebody who can tell stories people can relate to. Her goal is to make music that sounds as human as possible, with imperfections and mouth sounds in the background, and to invest in her music financially.
In conclusion, Audrey Nuna's journey post-KPop Demon Hunters is a testament to her growth as an artist and her commitment to creating music that resonates with people. Her willingness to embrace failure and struggle, coupled with her focus on creating music that moves people, makes her a fascinating figure to watch in the music industry.
